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Art Marketing Minute Podcast: Episode 7

By |2022-12-14T16:50:10-05:00March 16th, 2020|Art Marketing Minute Podcast|

In the Art Marketing Minute Podcast, you’ll learn how to sell your art, how to market your paintings, and everything else you need to know in order to have a successful art career. Each episode answers questions from artists by host Eric Rhoads, author of “Make More Money Selling Your Art,” publisher of several art magazines and newsletters, and author of ArtMarketing.com.

In this Art Marketing Minute, you’ll learn if you might want to consider using a different name, and how to make the most of Instagram.

Art Marketing Minute Podcast: Episode 7

Submit Your Art Marketing Question:

What questions do you have about selling your art? Email Eric today at [email protected] (include your name and where you’re from) to hear your question answered on an upcoming Art Marketing Minute Podcast.

FULL TRANSCRIPT of the Art Marketing Minute:
DISCLAIMER: The following is the output of a transcription from an audio recording of the Art Marketing Minute. Although the transcription is mostly correct, in some cases it is slightly inaccurate due to the recording and/or software transcription.

Announcer 0:02
This is the Art Marketing Minute with Eric Rhoads, author of the Amazon best selling book, “Make More Money Selling Your Art.” In the marketing minute we answer your questions to help your art career brought to you by artmarketing.com, the place to go to learn more about marketing. Now, here’s your host, arts magazine publisher, Eric Rhoads.

Eric Rhoads 0:23
Thank you Jim Kipping. And thank you for joining us today. My goal is to eliminate the idea of the starving artists. So let’s get right to today’s questions. Well, here’s a question from Joan Barnum. Now, I normally don’t use last names, and I don’t know where Joan is from but in this case, it’s relevant because she says thanks so much for your podcast and for the marketing minute. I tune in every week and I’ve learned so much value from both. I’ve been learning what I can about selling my art and I’ve been trying to establish some kind of online presence, but I discovered recently However, that there is a well known watercolor artist out there whose name is very similar to mine. She’s Joanna Barnum. And I’m Joan Barnum. I wonder if it will make it difficult for people to find me online. And if I should consider changing the name, under which I do business, reverting to my maiden name, for instance, I’m just in the beginning stages of the process. And so I’m going to make this sort of move now would be the time.

Well, I couldn’t agree more. It’s a great question. It happens more than you think I can think of several. What comes to mind is Scott Pryor. And then there’s Scott W. Pryor. Both artists, there’s Charles white, and there’s Charles H. White, both artists. And Heck, there’s even another Eric Rhoads. Who was, well, an adult film star. That wasn’t me thankfully. Yikes anyway, he’s dead. I might not be after I mentioned that. Anyway, if you already established the name and then you discover somebody else’s got the name or then you got a little bit of a problem. And you if you’re starting out though this is a good time to avoid confusion and brand yourself under a name where there’ll be no confusion. Now I grew up in radio and we used to do stage names all the time, and you might want to invent a name that sends a signal of confidence to your buyer. Some people pick names that are about their brand, you know, like if you’re a spy, you could be Roger danger. Or you know, remember Jonny Quest. He was an adventure in the cartoons, Richie Rich. But seriously, go out there and come up with a name that really works for you. Now, I wouldn’t call yourself Monet, though there are people out there who’ve done it. There’s an actress whose name is Monet. I wonder if it’s real. I doubt it. But anyway, come up with something distinctive. Stage names are pretty common and there are a lot of artists actually who you Stage names it and if your maiden name works, it’s great. But if it’s hard to say, or it’s hard to spell or hard to read, like if your maiden name is Roberto, it’s, you might want to do something easier. Like I have this friend who’s a radio person and her name was Rabinowitz. And you know, how do you spell it? So she changed it to Robin’s. And you might do something like that. Or you could just be distinctive by saying, you know, your middle initial. The other thing you’ve got to your advantage is that you want a name that’s memorable and you have a name that’s memorable. Right? Who is memorable PT Barnum is memorable. Why not be L. Barnum or PT Barnum or some variation on that or there may be you play off of that, you know, Linda Barnum, like you know, like PT Barnum, the greatest show on earth, you know, you can have some fun with that. So give it some thought. Anyway, it’s a good time. Remember, you are a brand we invent names for brands. And why not do it for artists brands now I think authentic and real is best. But in a case like yours, where there’s going to be confusion, and the names are close, you might want to consider distinguishing yourself with a different first name at least. And don’t forget, there is some gold in that name Barnum, because you want something that people remember because everyday names like Jones and Smith and so on are not very memorable. But if you say you introduce yourself or your website says, Hey, you know, it’s Linda Barnum, like PT Barnum, and then they’re trying to remember who you are, they’re going to remember that.

Here’s the next question from Adam. In Los Angeles, Adam says, I’ve noticed everybody’s moved over to Instagram from Facebook. How can I get a lot of followers so I can sell more art?

And Adam? Well, you’re asking the wrong question, not to embarrass you. But the question should be How can I sell more art, Instagram as a tactic? Just like a magazine ad, or an Email as a tactic. You want to start with a strategy. How are you going to differentiate? Who is going to be your audience? What is the avatar of your audience? The Avatar is like, Who’s the average person who buys your art? And what do they like? Explain and understand that avatar, you know, like, we know the avatar of the people who come to the planner convention, and there’s a lot of the similar type of people, so we tend to talk to them. So think about that, because you want to think about who you’re trying to sell art to. Now, most people on Instagram and Facebook are misusing it. And they’re really talking about themselves a lot. And they’re not really talking about the business aspects. And so you want to think about that, and I’m going to do something very special with plein air convention this year. I’m going to do a morning on Instagram in my art marketing boot camp. And that’ll be worth the price of admission alone, believe me, so I went to the world’s top experts. I got their tips. I’m going to explain them Plus, I’m going to share some of my own. And there’s not enough time here because I’m going to spend about an hour just on that. And probably an hour isn’t enough. But the bottom line with Instagram is it’s about engaging people. It’s about commenting, often smart commenting, and those kinds of things engagement and commenting will help people follow you also liking other people, but there’s a whole lot more to it a lot of strategy behind it. So I didn’t mean to be snide by saying it’s around question, but you want to be thinking about multiple pillars. You don’t want all of your business relying on one thing like Facebook has lost 60 million people recently. So what if your business was based on Facebook? You know, would it affect you? It might so if your business is affected by Instagram at one time, and then you have to reinvent yourself another time, you should be doing multiple pillars Anyway, you should be having a lot of different variations on the way that you You, you market yourself? Well, this has been the art marketing minute with me Eric Rhoads. My goal in life is to eliminate the idea of the starving artist and to help your dreams actually come true. So if you want to submit questions, simply email [email protected]. And to learn more about marketing ideas, you can visit Artmarketing.com Thanks for listening.

Remember to Submit Your Question: What questions do you have about selling your art? Email Eric today at [email protected] (include your name and where you’re from) to hear your question answered on an upcoming Art Marketing Minute Podcast.

Art Marketing Minute Podcast: Episode 3

By |2022-12-14T16:50:08-05:00February 17th, 2020|Art Marketing Minute Podcast|

In the Art Marketing Minute Podcast, you’ll learn how to sell your art, how to market your paintings, and everything else you need to know in order to have a successful art career. Each episode answers questions from artists by host Eric Rhoads, author of “Make More Money Selling Your Art,” publisher of several art magazines and newsletters, and author of ArtMarketing.com.

In this Art Marketing Minute, you’ll learn keys to selling art on Facebook on Instagram and how to get exposure through your local media outlets.

Art Marketing Minute Podcast: Episode 3

Submit Your Art Marketing Question:

What questions do you have about selling your art? Email Eric today at [email protected] (include your name and where you’re from) to hear your question answered on an upcoming Art Marketing Minute Podcast.

FULL TRANSCRIPT of the Art Marketing Minute:
DISCLAIMER: The following is the output of a transcription from an audio recording of the Art Marketing Minute. Although the transcription is mostly correct, in some cases it is slightly inaccurate due to the recording and/or software transcription.

Announcer: 0:02
This is the art marketing minute with Eric Rhoads, author of the Amazon best selling book make more money selling your art. In the marketing minute we answer your questions to help your art career brought to you by art marketing. com, the place to go to learn more about marketing. Now, here’s your host, arts magazine publisher, Eric Rhoads.

Eric Rhoads 0:23
Thank you, Jim kipping. And thank you for joining us today. I am here. My goal is to eliminate the idea of the starving artists. So let’s get right to today’s questions. So here’s a question from Cindy P. of Phoenix, Arizona. Cindy says, What’s the key to selling artwork on Instagram? or Facebook?

Well, that’s a big one. Well, first, I think it’s important to understand that we all think that we have an instant market if we have a big number of followers, let’s say got 5000 followers, and we think that every time we do a post, everybody’s gonna see everything we do. It’s not true Facebook owns Instagram, Instagram and Facebook are the same company. And they’re trying to force people to buy ads for exposure. So the algorithm that they use is only pushing out 2% of what you push out to your followers. That means very small number of your followers ever see what you post and it seems to be the same ones over and over and over again, the ones that interact with you the most, don’t assume people are seeing it. Secondly, though, we hear all these great stories about selling paintings. As we examine some of these stories, some are true. Others have other linkage to other things that have gone on that just happened to be kind of implemented through Instagram or Facebook, though there are people who are selling on Facebook, Instagram, the ones who sell well tend to have huge numbers, hundred 200,000 followers. There are exceptions to that but yet large numbers that increase your odds. I’ll be doing a lot on Instagram and Facebook at the Art marketing bootcamp sessions with the planner convention but a couple of things to think about First off, don’t try to sell to turn off people are there For content, so for every time you ask for something, you need 10 times you’re not doing any asking, you’re just doing content, so 10 to one ratio. So positive post lots and lots of content, spread it out. Not all at the same time I was on Instagram or Facebook or something the other day and it’s like 10 things in a row from the same guy. It’s like I defended him, I just didn’t want to see all that. So spread it out. Spread it out throughout the day, different people look at different times. And so you want to make sure that you spread it out. Secondly, repeat content. Just because it’s been out there one time doesn’t mean you can’t repeat it. You can look for a different way to say it. But the same people aren’t always seeing it so it’s good time to repeat things. Secondly, comment often commenting and interacting with people builds your feed exposure, look for ways to comment on other people’s posts. If you look smart people will wonder who you are and they’ll visit your page. And if they find good content, they will friend you and stays good way to build but also the interactive is really good for your algorithm. So they’re looking for people who are interactive. If somebody’s commenting a lot, now you have to be careful about click bait. Gotta be careful about saying, you know, click here if you think this or whatever, because they’re looking for people who do that and you will get penalized. Next, keep in mind that birds of a feather tend to flock together. Most artists follow other artists, it’s probably rare for a collector to follow you. It does happen, of course, but we’re learning that artists are buying lots of art, so that’s okay, too. So when you put it out there look for subtle ways of saying it’s available, like, you know, thinking of sending this to my gallery, if it doesn’t sell here, the next 24 hours, they’re going to get the drift. You don’t have to say, if you’re interested by here, you want to be creative about this stuff.

Here’s another question from Larry K. of Milwaukee, Wisconsin. He says I’m constantly seeing stories about other artists and local media. How do I get some of that action? Well, Larry’s squeaky wheel gets the grease, most of those people that get stories didn’t just have happened to randomly get discovered. They made phone calls, they put out press releases, they were talking to people. You want to assume that frequency is important at all marketing. One time doesn’t get you anything one time advertising one time on of Instagram posts one time on anything doesn’t help. You want frequency repetition, repetition, repetition. So call editors, meet them over the phone, tell them your story. Send pre written stories because editors get into binds Oh no, they’ve got a story they got to put in tomorrow in the end, the thing fell through, send them lots of photographs and things that are going to get their interest.

So pre written stories can help because if they’re in a bind, you can hire a PR firm, but that’s expensive, but that’s just what they do. They just call people. They get to know people and they know them and they call them and say here’s a tip. I’ve got this thing about this artist. You could do that but it’s going to cost you a lot of money and that’s okay. That’s what they do and they’re good at it sometimes and sometimes Not, but it’s really just about getting to know people. Now the other thing is, don’t tell us this I have, I can’t tell you how many times I get this into such a frustrating thing. They’ll send them a note and they’ll say, you know, here’s I’d like you to do a story on me. And by the way, I was just featured in this magazine, this magazine, this magazine. Well, the last thing I want to do is put something in that everybody else has done, I try to be unique. I don’t want to be putting things in that everybody else has done. So when you tell me that, I don’t want to hear it. So if it has happened, first off, if you’ve just been in five other magazines, I do a story about you and I find out about it. It’s not going to make me happy, but I’m going to feel burned. But if you’ve got something unique, you know, pick out somebody and say hey, I want you to do a story on this. I’d like you to consider this be nice about it and say you know you’ve got the exclusive on this. I’m not going to give it to anybody else. If you pick it up and then that gives you an opportunity to go up here. Here’s something unique and interesting.

Well, this has been the Art marketing minute with me Eric Rhoads. My goal in life is to eliminate the idea of the starving artist and to help your dreams actually come true. So if you want to submit questions, simply email Eric@art marketing.com. And to learn more about marketing ideas, you can visit Artmarketing.com Thanks for listening.

Remember to Submit Your Question: What questions do you have about selling your art? Email Eric today at [email protected] (include your name and where you’re from) to hear your question answered on an upcoming Art Marketing Minute Podcast.

Hurt or Help? What You’re Doing Online Can Impact Your Brand as an Artist

By |2025-05-14T07:13:09-04:00July 31st, 2014|Branding for Artists|

BrandBranding is really nothing more than the process of building trust, then building upon that trust to reinforce the unique things you offer as an artist, such as your unique style; your voice; your acceptance by others, such as collectors; and your price and value perception. Everything you do contributes to your brand, in a positive or a negative way.

Facebook and Instagram can be great tools for building credibility as part of your branding, and many artists are relying on them heavily. One artist even told me he no longer needs to advertise because he has so many followers. But that's just his ego getting in the way: When I asked exactly who was following him, it was clear they were peers — other artists — and few if any collectors. People tend to gather with like-minded people, so artists tend to follow artists. Collector groups are much more difficult to find, and are more likely to be found on LinkedIn, which tends to attract professionals and serious interest groups, than on Facebook.

One giant mistake I'm seeing on Facebook is "Hey, look at me!" syndrome. I suppose if your followers are fellow artists, there is little harm in that. But if there are any collectors watching — directly, or indirectly, via other artists' followings — it can be dangerous. I'm seeing many an artist posting everything they paint when, fortunately or unfortunately, we all need to edit and show only our best work.

Even the best painters have dogs they should never show. Yet it's so tempting to say, "Hey look at me and what I'm capable of doing!" that we can forget to edit. I'm seeing a lot of "undercooked" work and, worse, a lot of paintings in progress. For artists, a progress shot is fine, but I'd be reluctant to let potential collectors see it. Has someone ever come up to you while you were painting on location, when a painting was only half done? It happens to me all the time, and I find myself explaining, "I'm just getting started, come back in a few hours," because they are judging a work at an uncooked stage.

I've overheard comments like, "It's not very good, it doesn't look right" at times when it's too soon for review. Most consumers don't understand that an unfinished painting is just that: unfinished. This is why I think showing unfinished works on Facebook and other social media has the potential to hurt your brand. That's also why editing is important. You wouldn't put every painting you do in a gallery. Why do it anywhere else?

Every touchpoint impacts the perception of your brand one way or another. Sometimes I'm tempted to post something after a drink or two, when my judgment is a little impaired, and I usually regret it in the morning. Again, if your Facebook or Twitter or Instagram have just friends and family, you probably won't do much damage. But if you have a big following, it's smart to make sure that everything you do is reinforcing your brand in a positive way.

Artists should seek things to post that will be positive reinforcements. Every time something great happens to you, post it. For instance, if you win an award, post it. If you get accepted to a new gallery, post it. That's why I like online art competitions. For a few bucks per entry, you have lots of opportunities to win or become a finalist. It's just another thing to talk about. Artists should enter every legitimate competition they can, to increase the odds of a win.

When you are hailed as a winner or finalist, that's a credibility builder you can talk about, and it also generates other publicity. For instance in our PleinAir Salon, where we present $15,000 to the winning artist, annual winners are also featured on the magazine's cover and in dozens and dozens of ads. That builds credibility. (By the way, today, July 31, is the last entry day for the current bimonthly contest. You can enter here.)

A good marketer is always inventing things to talk about to build credibility — things they can put online, put in their newsletter, and shout from the rooftops. A bad marketer just puts everything out there, good and bad – and that can have a negative impact on their brand. One artist I'm thinking of has gone backward in my mind because he's posting party photos, progress paintings, paintings that should never be released, and other things that are hurting his reputation. Visibility isn't always good.

P.T. Barnum is supposed to have said there's no such thing as bad publicity. That may be true if you're running a circus, but I'm not sure it's best for your art career.

PS: I'm getting cramps from signing big checks for large amounts of cash. Today you have a chance to become a winner or finalist and possibly put $15,000 cash in your pocket if you win our annual PleinAir salon. Tonight at midnight Pacific Time is your deadline to enter. All it takes is an upload of one great painting, or several. Many artists have found that repeating entries month to month benefits them because if they're not picked by one judge, they might be picked by another. To enter, visit www.pleinairsalon.com and start thinking about how you'll use that $15,000 cash prize and how your career will soar when you're on the cover of PleinAir magazine. Enter here now.

 

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